Colour Compositions: Easter Matisse at Tate Liverpool

I've had the most colourful time at Tate Liverpool over the past few weeks as we turned the Clore Studio into an immersive world of colourful compostions, where art and activity began to creep and grow across the blank walls, floors and columns of the studio space.

Our starting point was The Snail by Henri Matisse (1953), Tate Liverpool's current work 'to know by heart'. On loan from the Centre Pompidou, The Snail is on display until May 2nd and is a key example of Matisse's cut-outs. It's worth going to see just to enjoy the scale and colour of the work and it is a significant piece to see up close as it's unlikely it will tour to another venue in our lifetime, due to its fragile nature.

Made at a time when Matisse was too ill to paint, the cut-outs were a new and exciting development as he used his scissors to cut out shapes directly from coloured sheets painted by his assistants. Some works were more abstract than others and The Snail at first looks that way but then it becomes clear that Matisse has composed his 'dancing' coloured shapes to form a distilled impression of the spiral shell. I asked many young visitors to look for the snail shape and there was much discussion about which way the shell turned and where the head could be found.

Participants then chose their own paper colour palettes and were challenged to cut shapes straight out of the paper to make their own colour cut compositions. These began to grow along the studio walls as we created a collective colour display and also a floor-based composition piece. There was also the chance to create transient colour projections and weave a colourful trail of coloured lines across the space through yarn bombing - which went down well with lots of children! The music, lights, shadows and colour also had a positive impact on participants who talked about how 'relaxing' and 'immersive' the space was.

There were so many avenues for development - we could have worked on it for another couple of weeks at least. If anything it was a great way of creating interweaving snail trails from a great piece of art.

 

 

Tate Kids Guest Blogger

I've been busy guest-blogging for Tate Kids! Find out about a wonderful mix of young children exploring stories, books and art with artists at Tate Liverpool.

Post 1 introduces the project and Post 2 talks about what we got up to... have a peek.

Thanks to Jake Ryan for the fab photos.

Building A Bridge of Books

I'm currently immersed in a new project at Tate Liverpool, working hard to bring the world of children's stories and Tate Collection artworks alive! As part of the Liverpool City of Readers initiative, I'm working with artist-educator Denise Wright, filmmaker Jake Ryan and groups of young children and their adults to create narratives and stories, inspired by children's books, artworks, gallery spaces and materials in the studio. For my first session, I installed a story den in the Clore Learning Studio which became our base for story-telling and making. This initiated the beginnings of our adventures to discover a 'strange land' in the galleries as children encountered artworks, installations, puppets, props and provocations to create narratives based on their experiences. Back in the studio, children explored materials which they could use to create costumes or make models and props for their story.

The project will culminate in an exhibition and celebration day in the Clore Learning Centre in November. Check out my guest blog post on the Tate Kids website.